<p><span>During the protests that followed the murder of George Floyd, Broadway theatres were among the many institutions to announce a commitment to equity and protecting Black lives. But for many Black performers, the promise rang hollow. Frustrated by what he perceived to be a lack of accountability, the actor Britton Smith and colleagues at Broadway Advocacy Coalition organized events that pointed to the industry’s failures and called for genuine change. BAC won a Tony Award for its work. But two years later, “the fire [has] crumbled into ashes, and now the ashes are starting to settle,” Smith tells Ngofeen Mputubwele. “You have to go through a process of (finding) peace. … Some people are horrible. Some people want to learn, some people don’t. Some people want to keep their power, some people don’t.”</span></p>
During the protests that followed the murder of George Floyd, Broadway theatres were among the many institutions to announce a commitment to equity and protecting Black lives. But for many Black performers, the promise rang hollow. Frustrated by what he perceived to be a lack of accountability, the actor Britton Smith and colleagues at Broadway Advocacy Coalition organized events that pointed to the industry’s failures and called for genuine change. BAC won a Tony Award for its work. But two years later, “the fire [has] crumbled into ashes, and now the ashes are starting to settle,” Smith tells Ngofeen Mputubwele. “You have to go through a process of (finding) peace. … Some people are horrible. Some people want to learn, some people don’t. Some people want to keep their power, some people don’t.”